GUESS commercial with DP Tristan Sheridan

Parris operated steadicam on a GUESS commercial with DP Tristan Sheridan. It was a long day and every shot was on the rig...

Slates tell the story

Parris operated B camera and steadicam for DP Vanja Cernjul on the NBC PILOT ASSISTANCE

Krysten Ritter 

Alfred Molina

Krysten Ritter

"ORANGE IS THE NEW BLACK"

Parris is starting the new year Operating Steadicam on the new Television series ORANGE IS THE NEW BLACK, a NETFLIX original series with DP Vanja Cernjul and a bunch of great directors including Michael Trim, Andrew McCarthy, Constantine Makris and Phil Abraham.

Slates tell the Story

CapitalOne commercial, "After the Fall", Bank of America commercial and SNL

OPERATED B camera for DP Jim Fealy on this CAPITAL ONE spot.

Recently Parris operated steadicam for a few weeks on the feature film AFTER THE FALL with Director Anthony Fabian and DP Elliot Davis. 

Parris been working regularly on SNL as an operator or Steadicam op for the last few years with many different DPs such as Dave Phillips but the latest DP Jason Vandermer is as funny as a cast member and cracked me up all day...a 20 hour day FYI!

Recent jobs

RECENT JOBS

Very cool job operating Steadicam for Caleb DESCHANEL, the DP of one of Parris' favorite films "The Natural" and working again with Akiva Goldsman who Parris worked with on the NBC series KINGS.

New TV series ORANGE IS THE NEW BLACK
Parris operated Steadicam on with Director Matt Penn and working again with Vanja Cernjul was a pleasure.

              "THE FOLLOWING"

Parris operated B-camera and steadicam for DP Anthony Arendt on a promo spot for a new series called

 "THE FOLLOWING" slate

James Purefoy as a serial killer with a following.

Kevin Bacon as the FBI agent in a 60 fPS steadicam shot which looked awesome.

 

On the Rickshaw bolting through JFK airport for a series of INTEL spots for DP David Jacobson and GREENCARD films.

Daughtry music video

Music videos are fun to work on, for camera at least, but this Daughtry video for "Crawling Back to you" was particularly cool. Director Laurent Briet always brings something special.

This is a still from the monitor of the techno.

Parris used a rickshaw to get the speeds needed repeatedly to achieve the Hitchcockian dolly reverse zoom effect which Laurent amplified in post to make the video really move and create a crazy look.